Die Brücke Woodcuts on Display at the National Gallery of Art

Head of Dr. Bauer, Kirchner

While I was in DC this past weekend checking out the Kiyochika exhibition, I also took a stroll inside the National Gallery of Art to check out Modern German Prints and Drawings from the Kainen Collection (on display through June 29.)

I was specifically hoping to find woodcuts by members of Die Brücke, and I was not disappointed. All my favorites were represented: Karl Schmidt-Rottluff, Erich Heckel, Otto Mueller, and of course the unmatched Ernst Kirchner. It was the first time I've had a chance to see more than a mere reproduction in an art history book of Kirchner's Five Women In the Street.

I was struck by the large size of many of the portraits, figures, and some landscapes hanging on the walls. All of Kirchner's portraits were larger than life-sized. This, combined by the crude and expressive style, made me feel not only captivated, but shrunk and quieted by their charismatic presence. Kirchner's vividly-colored woodcut Head of Dr. Bauer - with its beady, blue eyes - was particularly monstrous.

Five Women In the Street, Kirchner

This exhibition isn't a particularly complete look at German Expressionism; it definitely left me wanting more, as I I felt it didn't present enough of the most powerful work to really get across the drama and passion behind the movement. But this sampling does at least include work representing all the major players.

It is interesting in that the exhibition includes these heavy hitters alongside other, lesser-known artists who were not part of that movement, but who were working at the same time and speaking the same language. At first I felt a little confused by the array of works, but after a while it seemed to make sense in that it took Die Brücke out of its own narrow focus and put it in the appropriate larger cultural context.

"Driving Snow" by Erich Heckel

Here's a little gem from Erich Heckel I just discovered. 

Sharp planks of light and shadow cut across the sky and into the tumbling landscape like bolts of lightning. Flat, silhouettes of trees seem more like over-sized dried leaves and naked branches stabbed into the snow-covered hill. I feel I am standing in a high place with nothing below to catch me if I fall. And losing my balance is likely as this whole place is rolling along at a ferocious pace. 

I really need to feature more Die Brücke artists on this blog. So many exhilarating woodcuts came out of German Expressionism.