These are two prints from the Baren Forum Exchange #72. Paper size was 5" x 11" and the theme was "Wings".
On the left is Bird Count by Theresa Martin and on the right is Heron Nest by Clive Lewis. These two prints were the favorites of my mother so I'm giving them to her to display side by side since they coincidentally offer a nice dialogue. Both images take place outdoors and offer two tones of the same color with a key-block printed in black. I particularly enjoy the contrast of the movement of the birds in flight with the empty stillness of the empty nest. Both seem to be very much about the quiet patience necessary to observe and gain an understanding of wild animals.
I love woodcuts and I make woodcuts. On this blog I write about woodcuts I love and woodcuts I make.
Showing posts with label Clive Lewis. Show all posts
Showing posts with label Clive Lewis. Show all posts
Saturday, June 17, 2017
Saturday, February 7, 2015
Highlights from [Baren] Exchange #62
These are three prints by other artists who also participated in [Baren] Exchange #62. I wrote about the print I made for this exchange back in October. It was my first trade through [Baren], an international forum for woodblock printmakers. The prints I received were all wonderful (featured here are just my three absolute favorites) and many are destined to end up framed and on the walls of my house. I am eager to receive my prints from exchange #63 and to participate in future exchanges.
This first linocut is Lake Lookalike by Achim Nicklis. Many more of Nicklis's wonderful prints can be found in the [Baren] exchange archives.
Light rakes down, and yet
The image resides inside
The seer's stilled mind

The second is a Japanese-style woodblock print titled Texting by George Jarvis. In addition to being beautifully executed, the reference to both modern technology in our everyday lives and the moku hanga tradition of depicting "beautiful women", often nude and in a domestic scene, made me smile. A friend of mine suggested it should have been titled Sexting.
Mind and fingers race
Words on a screen, and
It is as if you are here
This third print, a 2 block linocut, is Backyard by Clive Lewis, who you can learn all about on his website here.
Jumble heaves a sigh, while
Structures settle and sink
A white shirt dangles
This first linocut is Lake Lookalike by Achim Nicklis. Many more of Nicklis's wonderful prints can be found in the [Baren] exchange archives.
Light rakes down, and yet
The image resides inside
The seer's stilled mind

The second is a Japanese-style woodblock print titled Texting by George Jarvis. In addition to being beautifully executed, the reference to both modern technology in our everyday lives and the moku hanga tradition of depicting "beautiful women", often nude and in a domestic scene, made me smile. A friend of mine suggested it should have been titled Sexting.
Mind and fingers race
Words on a screen, and
It is as if you are here
This third print, a 2 block linocut, is Backyard by Clive Lewis, who you can learn all about on his website here. Jumble heaves a sigh, while
Structures settle and sink
A white shirt dangles
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