I love woodcuts and I make woodcuts. On this blog I write about woodcuts I love and woodcuts I make.
Sunday, July 30, 2017
"Naked Selfie No. 6"
This is the sixth and final new print for a series based on nude selfies I've found while surfing the Web. Read more about the series in this initial post.
Saturday, July 29, 2017
"Naked Selfie No. 5"
This is the fifth of six new prints for a series based on nude selfies I've found while surfing the Web. Read more about the series in this initial post.
Friday, July 28, 2017
"Naked Selfie No. 4"
This is the fourth of six new prints for a series based on nude selfies I've found while surfing the Web. Read more about the series in this initial post.
Thursday, July 27, 2017
"Naked Selfie No. 3"
This is the third of six new prints for a series based on nude selfies I've found while surfing the Web. Read more about the series in this initial post.
Wednesday, July 26, 2017
"Naked Selfie No. 2"
This is the second of six new prints for a series based on nude selfies I've found while surfing the Web. Read more about the series in this initial post.
Tuesday, July 25, 2017
"Naked Selfie No. 1"
This is a new series of Nude Selfies I've been working on, stemming from the small white line woodcut male nudes I did in 2015. I loved describing the figure through the subtle variations in textures and values, but for a long time wasn't sure where to take it in terms of imagery and ideas.
While surfing Google images without filters I inevitably come across naked selfies of complete strangers. Much is discussed and written about how easy access to digital cameras and Internet has blurred lines between the private and public. What we expect to be only shared in intimate settings is instead casually and indiscriminately disseminated around the globe. The completely ordinary naked bodies of specific individuals are now subject to all manner of comment and objectifying scrutiny. Many might say these people have invited scrutiny and crass comments; after all, they are holding the phone, snapping the image. But does that really get everyone else off the hook for any and all of our responses?
With this series I aim to return some of the dignity to these individuals. I don't know who any of them are in real life. I picked out selfies I found particularly interesting or lovely mainly for their compositional lines and shapes. I eliminated background distractions to emphasize what was always intended to be the subject: the figure. My medium of choice is white line woodcuts because the crisp, white lines combined with soft and airy gradations emphasize the shape and volume of the body. I worked on small blocks - no larger than 4" x 4", because I wanted viewers to have an intimate experience akin to perusing family photographs. Also, working at this small size in this medium renders the faces abstract enough to retain anonymity.
While surfing Google images without filters I inevitably come across naked selfies of complete strangers. Much is discussed and written about how easy access to digital cameras and Internet has blurred lines between the private and public. What we expect to be only shared in intimate settings is instead casually and indiscriminately disseminated around the globe. The completely ordinary naked bodies of specific individuals are now subject to all manner of comment and objectifying scrutiny. Many might say these people have invited scrutiny and crass comments; after all, they are holding the phone, snapping the image. But does that really get everyone else off the hook for any and all of our responses?
With this series I aim to return some of the dignity to these individuals. I don't know who any of them are in real life. I picked out selfies I found particularly interesting or lovely mainly for their compositional lines and shapes. I eliminated background distractions to emphasize what was always intended to be the subject: the figure. My medium of choice is white line woodcuts because the crisp, white lines combined with soft and airy gradations emphasize the shape and volume of the body. I worked on small blocks - no larger than 4" x 4", because I wanted viewers to have an intimate experience akin to perusing family photographs. Also, working at this small size in this medium renders the faces abstract enough to retain anonymity.
Saturday, July 22, 2017
Summer Campers: Stamped Tile Printing and Collage
These are the finished versions of a project I did this week with my 3rd-5th grade summer camp students. A few days ago I wrote about Lizzy's unique take on the 1" stamping, which was how this project began. The next step was to create a 3" stamp using craft foam sheets collaged onto 3" square foam core pieces. Next the kids each collected an appropriately sized stick from the neighboring woods to paint and decorate for the hanger. Finally they stamped and collaged onto a 9" x 12" sheet of paper incorporating both stamps.
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