I love woodcuts and I make woodcuts. On this blog I write about woodcuts I love and woodcuts I make.
Monday, November 12, 2012
Proof of "Gus"
Image is approximately 6" x 10". I had been wanting to make a print from this beautiful photograph of my friend's dog "Gus" for a while now. But I was having trouble deciding which approach to take. I have been doing my Cats A-Z series in black and white, and also looking at the black and white work of some other wood block printmakers, and decided to use this image of Gus for a study in black and white. I'm very pleased with how the blanket under him is turning out. However, Gus himself still reads as way too flat. I'm also not sure how I feel about the composition - I want more dark on the right side of the image to balance things out. Part of me is wishing I had decided to do a color reduction print from this photo (and perhaps I will do that too if I find the time.) But mainly I'm glad I decided on the black and white exactly because it isn't turning out yet how I'd like, so it's forcing me to work more at it. I'll go back into this block and post another update on it soon. If it turns out I can't save it, at least I will have learned something from it.
Saturday, November 10, 2012
"Sometimes I Am Married" by Annie Bissett
Image posted with the permission of the artist. Annie Bissett wrote about her personal story that brought about this print on her blog here. Click here to go to her website to check out (and maybe purchase) some of her wonderful wood block prints.
"I became a historian, and went into the past, for the purpose of trying to understand and do something about what is going on in the present." -Howard Zinn
It is a map that charts out the state of gay marriage in the United States with the date it is made stamped at the top. However, the marriages, or rather the marriage of the print maker has been personalized. I am married. I am not married. I might be married. A single word: I, completely personalizes the image. While information about the laws are displayed in the form of a simple and neutral graphic, the personal impact these law have on real-life people (and in this case person) are displayed in the atmospheric planes of blue ink. Those and other subtle details are evidence of the artist's hand. The I who cared enough to make note of this significant point in time and state of dis-unity.
"I became a historian, and went into the past, for the purpose of trying to understand and do something about what is going on in the present." -Howard Zinn
It is a map that charts out the state of gay marriage in the United States with the date it is made stamped at the top. However, the marriages, or rather the marriage of the print maker has been personalized. I am married. I am not married. I might be married. A single word: I, completely personalizes the image. While information about the laws are displayed in the form of a simple and neutral graphic, the personal impact these law have on real-life people (and in this case person) are displayed in the atmospheric planes of blue ink. Those and other subtle details are evidence of the artist's hand. The I who cared enough to make note of this significant point in time and state of dis-unity.
Monday, November 5, 2012
Owl and Cat In Love (Image 1)
"Owl Hunting A Rabbit"
Woodcut (reduction)
11.25" x 11.75" (image)
15" x 16" (paper)
Oil based inks on Subi paper
Limited edition of 5
Available for purchase here.
I've started illustrating "Owl and Cat in Love" (working title), a story in pictures based on Edward Lear's poem "The Owl and the Pussycat". This will be done entirely with woodcuts, hopefully eventually for a published picture book. The story is going to elaborate on Lear's poem with additional scenes and details and for some elements I plan to divert entirely from the poem. In addition, I'd like each image to work as a stand-alone work of art. This is page one. Much more to come!
Friday, November 2, 2012
"Girl Playing Accordion"
5.75" x 8"
linocut
Available for purchase here.
I did this for the Third Annual Day 2 Day Print Exchange. This print along with dozens of works by artists from around the world will be exhibited at the FS Gallery at The Art Center of the Capital Region in Troy, NY, January 5th through February 24th.
This image turned out rougher than I wanted (I was going for spontaneous and expressive.) The more I look at it, the more I wish I had been able to let loose even more and let it get weirder. My favorite parts of this image are the parts that barely make sense, like how the buttons on the left of the accordion resemble the fingers, and how the shadow to the left of the foot looks like a oozing form in its own right. At least this achieved my main goal, which was to bring back the color. Doing all this black and white has made me long for some vivid complimentary. Also, I've been listening to Polka music. Enjoy.
linocut
Available for purchase here.
I did this for the Third Annual Day 2 Day Print Exchange. This print along with dozens of works by artists from around the world will be exhibited at the FS Gallery at The Art Center of the Capital Region in Troy, NY, January 5th through February 24th.
This image turned out rougher than I wanted (I was going for spontaneous and expressive.) The more I look at it, the more I wish I had been able to let loose even more and let it get weirder. My favorite parts of this image are the parts that barely make sense, like how the buttons on the left of the accordion resemble the fingers, and how the shadow to the left of the foot looks like a oozing form in its own right. At least this achieved my main goal, which was to bring back the color. Doing all this black and white has made me long for some vivid complimentary. Also, I've been listening to Polka music. Enjoy.
Wednesday, October 31, 2012
"Man in Storm" by Isaac Friedlander
The storm is fierce, and he has no shelter. He's withered and bent like the grasses and trees, but with less grace and more fear. A crooked river stabs him the back like a bolt of lightening. He does not know whether he should hope for a quick death now or to survive only to suffer the terrible aftermath.
Monday, October 29, 2012
"Lysistrata" (Ballerina On Staircase)
This is a little monotype (image is approximately 6" x 9") I did of Lysistrata walking down the steps to her ballet class. I did 6 monotypes in 3 hours during a workshop I was leading, and I was the most satisfied with this one. I used Createx Monotype Colors on a plexiglass sheet and applied the ink with paint brushes.
The thing with monotypes is that the first one always sucks and I have to work at them for at least 2-3 hours just to produce anything decent. I would love to spend a week doing nothing but monotypes for 4 hours after breakfast and another 4 hours after lunch. I get chills thinking about the amount of colorful, expressive, and spontaneous imagery which would result. But that's a lot of time and money for supplies. Ah, plans for retirement...
The thing with monotypes is that the first one always sucks and I have to work at them for at least 2-3 hours just to produce anything decent. I would love to spend a week doing nothing but monotypes for 4 hours after breakfast and another 4 hours after lunch. I get chills thinking about the amount of colorful, expressive, and spontaneous imagery which would result. But that's a lot of time and money for supplies. Ah, plans for retirement...
Saturday, October 27, 2012
"The Visitor" by Kathleen Neeley
Image posted with the permission of the artist. More about Kathleen Neeley can be found online at her Etsy Store, Flickr, and Twitter.
Elephantine foliage slouch and wave against the smoke from the fire. Smoke rises up to a two-toned moon and starless night sky. Creeping bark and pebbled shadows follow suit, scurrying upward. It is as if they were cockroaches suddenly exposed in the light, and the moon were a crack in the wall and their only means of escape. Tree roots jut out from under a leaf like a pair of naked legs. Their ambulatory form is echoed over and over again, for there are many pairs of long limbs in this scene. And speaking of pairs, in the foreground, two jungle-shrubs fan out, startled, like black hands of a startled monster who was just passing by. It is curious, the way the solitary figure sits - perhaps in meditation - at the dramatically vaporous fire while a collection of nocturnal beasties bear witness to her vigil. Even the rocks seem attentive and eager to join the crowd of nightalls. Logic suggests they are drawn by the warmth, yet I'm convinced this is the coolest place in the entire forest.
Elephantine foliage slouch and wave against the smoke from the fire. Smoke rises up to a two-toned moon and starless night sky. Creeping bark and pebbled shadows follow suit, scurrying upward. It is as if they were cockroaches suddenly exposed in the light, and the moon were a crack in the wall and their only means of escape. Tree roots jut out from under a leaf like a pair of naked legs. Their ambulatory form is echoed over and over again, for there are many pairs of long limbs in this scene. And speaking of pairs, in the foreground, two jungle-shrubs fan out, startled, like black hands of a startled monster who was just passing by. It is curious, the way the solitary figure sits - perhaps in meditation - at the dramatically vaporous fire while a collection of nocturnal beasties bear witness to her vigil. Even the rocks seem attentive and eager to join the crowd of nightalls. Logic suggests they are drawn by the warmth, yet I'm convinced this is the coolest place in the entire forest.
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