I'm looking at a lot of Blanche Lazzell again this week because I'm interested in venturing back into white line woodcuts and specifically landscapes. Although as of yet I've only created one true landscape using this technique that doesn't also feature figures.
I am amazed by Lazzell's ability to make her landscapes somehow fantastical and yet also warm and familiar. The misty textures combine so elegantly with the motley of color choices. The bands of color that arch across the skies in so many of her landscapes are an especially intriguing decision for both describing the rich atmosphere and visually connecting the land formations that form the dynamic horizon with the otherwise static sky.
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