Thursday, November 6, 2025

The Complete, Original "Owl and Cat In Love" at H.A. Brown Elementary

 

This week I went to H.A. Brown Elementary School in the Philadelphia neighborhood of Kensington, where I spoke to about 100 K-5th grade students about creating my book Owl and Cat In Love

I published the book in 2015, and in 2018 an art collector named James Testa bought 80% of the original prints after seeing them displayed in an exhibition at Metropolitan Bakery in West Philly. (I highly recommend artists show in cafes, restaurants, and any other place where people will be hanging out and thus are likely to look at the work longer than they would in a gallery!)  A year later James contacted me and purchased the rest of the series. 

In the years since, I have sold or lost enough of the prints that I no longer have a complete set of the whole series. I only made 4-8 copies of each color reduction woodcut since it was very labor intensive and I didn't have a press at the time, so I printed them all by hand with a wooden spoon. Therefore I was quite happy that at least one entire set of the original prints existed together in one place. 

This year James contacted me to invite me to a little reception at his home to view and celebrate the collection. I was thrilled to see how beautifully they were framed and displayed in his dining room. At that reception, I found out that since he was down-sizing to a small home, he would be donating the entire collection of Owl and Cat prints to a Philly public elementary school where it would be displayed in the library. I couldn't have been more thrilled about this. 

This week the faculty and staff who welcomed me into the school were so kind and enthusiastic about my visit. The children were attentive and had many great questions about illustration, book-making, carving woodcuts, and Edward Lear. State Rep Joseph Hohenstein also stopped in for a visit to the school and offered some supportive words. It was such a lovely time. When I published the book 10 years ago I never imagined the whole series would be permanently installed where generations of school children could enjoy it. This might be the most gratifying event in my artistic career yet. 



Saturday, October 18, 2025

Butterfly Moving On to a New Home

 

My "Fruits and Flowers" butterfly has ended it's time at the Morris Arboretum exhibition. It has been donated to Community Partnership School where I work as an art teacher. Students from this school helped me decorate the center body of the butterfly with their drawings of seeded fruits. Below are some photos of the butterfly as it was installed at Morris and also the students who I took on a field trip to see it installed. 

This was such a wonderful experience. I am incredibly grateful to have been a part of it. 









Sunday, June 29, 2025

"Fox and Mouse" (There But For the Grace of God)

 

Fox and Mouse (There But For the Grace of God) 
Watercolors and water-based ink on snow white Canford paper 
Hashira-e (28 x 4.5 inches) 
Edition of 34 


This is my print for the 100th Exchange for the Baren Forum for Woodblock printmaking. It was supposed to be a Mokuhanga print. This is a traditional Japanese technique for woodblock printmaking which involves water-based pigments which are brushed on, printing with a traditional baren, multiple colors with careful registration, and using Washi paper. This print is more inspired by traditional Japanese printmaking as I do not have any formal training in 
Mokuhanga and don't have all the traditional tools and supplies. That said, I'm very happy with these results!

The background colors for this print are the most in line with 
Mokuhanga - they were brushed on watercolors, hand printed with my trusty wooden spoon. I tried a couple with my glass Iron Frog baren, but it didn't work as well as my spoon. The fox, mouse, and coneflowers were printed in 2 layers, both with water-based block printing ink which I did roll on with a brayer and then print with the spoon again. I thought about trying to do it all as brushed on watercolors, but that wasn't going to work out as well with the drawing I have come up with, so I went with the method that I thought would serve the image better. 

Sadly, the only reason the paper is Canford and not a type of Washi is because I'm broke. I'm a teacher who gets paid much less for 2 months in the summer and I got 2 teens who eat like adults. I had this lovely Canford paper in my studio and it is soft yet strong and didn't distort after being wetted, so it seemed a suitable alternative. 

Regarding the paper dimensions and imagery, what I enjoyed the most about this exchange was the challenge of coming up with a drawing that would fit into the tall, skinny rectangle. Even though I live in the city, we have a lot of foxes that I've seen stalking around at night on occasion. And of course mice are always a problem in big cities. I deliberately drew the pouncing fox smaller so it would seem that he is farther away and thus focused on some other prey outside of our view. The subtitle refers to the little mouse hiding behind the flower - she is safe at least for the moment. 








Thursday, June 19, 2025

Dazzling Dhalias

"Dazzling Dhalias" 
9" x 14" 
White line woodcut (Provincetown style) 

I made this to enter in a poster contest for the 15th Annual Dazzling Dahlia Festival at The Bascom: A Center for the Visual Arts. The winner of that contest ended up being Shannon Woodford. I haven't seen her winning painting yet, but I can't wait since I checked out her work on her website and her paintings of flowers are strikingly beautiful. 

Even though I didn't win, I enjoyed having the opportunity to make a white line woodcut of flowers that have natural gradations of bright colors. Since I don't have a lot of free time for lengthy art making processes like white line woodcuts, I have to find excuses to make the time to do them. The wooden bridge in the background in a landmark at The Bascom. 

Tuesday, June 17, 2025

Giant Butterfly at "Bees, Butterflies, and Blooms: A Pollinator Paradise"

 

My giant butterfly is about to be displayed at Bees, Butterflies, and Blooms: A Pollinator Paradise hat the Morris Arboretum! My butterfly, "Flowers and Fruits", will be one of ten found integrated into a new field of plants planted especially for pollinators. For my butterfly, I made linocuts, hand colored with acrylic paint. On one side of the butterfly are seeded fruits and vegetables common to this region, and on the other side are their corresponding flowers. 

The center body of my butterfly features drawings of seeded fruits and vegetables drawn by my 2nd Grade students at Community Partnership School. During science class they learned about pollinators, and then in art class I had them make little butterfly puppets with relief printed wings. 

The exhibition will include events such as guided tours and workshops. If you're in Philly, you can check it out  between June 28 and September 30. 



















Friday, May 2, 2025

Two Butterfly Prints: Fruits and Flowers

 

Two linocuts, hand colored with watercolors. Each is 17" x 14". I created these to submit my idea for a giant butterfly to be displayed in an outdoor exhibition at the Morris Arboretum this summer. 

UPDATE: I got the job! I will be creating a much larger version of these prints to decorate a big butterfly - woo hoo! The exhibition is "Butterflies, Bees, and Blooms: A Pollinators Paradise" at the Morris Arboretum, June 28-September 30. 





Monday, March 31, 2025

"Four Season Finches"

 

Four Season Finches 
Linocut with oil based ink and chine collé on white Stonehenge 
10" x 15" 
Edition of 34


This was for Baren Forum Exchange #99. When I bought my first house, one of the first things I did was plant sunflowers, and I was thrilled to find that they attracted beautiful yellow finches. I didn't know then that the finches lose their bright yellow plumage in the fall/winter. Now every summer I look forward to seeing these beautiful little birds in their summer coats. 









Sunday, February 2, 2025