Saturday, August 13, 2022

MEGAfauna Summer Fellowship

This summer I worked with K-6th grade campers, making prints and a baby mammoth! This was for the Summer Spree camp at the Community Art Center.

This year's camp theme was BIG TIME, and of course having been an artist/scientist-in-residence at the Wagner for ten years, the first thing that came to mind was mammoths. 

For this project, I taught the campers about the extinction of megafauna of North America at the end of the Pleistocene, and we then used those animals as inspiration for relief prints. Campers also learned about baby mammoth mummies like Yuka and Lyuba who were frozen in ice for tens of thousands of years before being discovered by humans. We used that as inspiration to create a full sized baby mammoth of our own, using wire armature, plaster wrap, acrylic paint, and yarn.

This was my 4th year doing a summer fellowship at CAC. The other projects were: 
Pollinators, 2021 
Whose Hoo Around the World, 2019 
Big Relief!, 2018 










































Saturday, April 23, 2022

CSA Project at 3rd Street Gallery at WVU Libraries

This year I exhibited work from my CSA Project in two spaces.

First, through West Virginia Libraries in an interdisciplinary exhibition that was both online and partially at the library gallery, titled   My contribution to that truly informative and broad exhibition can be found HERE

Second, I exhibited my entire collection of handmade paper from my 2019 Red Earth Farm CSA, as well as linocut and chine colle prints and ceramics inspired by the food in the food I now receive through Philly FoodWorks at 3rd Street Gallery. I gave a talk at the gallery that was filmed and edited by my fellow artist Jim Brossy. Here's the film: 



Wednesday, February 2, 2022

Groundhog Day 2022

 

woodcut printed in oil-based ink on Kraft cardstock
This year the good ol' groundhog can't even be bothered to come out. Shadow or not, he's staying in his hole. 

While hopefully viewers find some humor here, it is a dark humor. I wish this year's Groundhog Day card design could have been more positive. We're now into the third year of a global pandemic that is gradually shifting to endemic. Still scary, but we're also all just so damned fatigued. It's hard to get excited about anything anymore because so many plans have been cancelled. Most of us who have survived this thing are now a couple years older, poorer, and more melancholy than we were before it began. Work is far more constant than joy.

Who could blame the fuzzy little guy for his reluctance to emerge? 


This is my 8th annual Groundhog Day card. If you'd like to see the previous years' designs, here are the links.

Groundhog Day 2014 
Groundhog Day 2015 (I skipped 2016)
Groundhog Day 2017
Groundhog Day 2018 
Groundhog Day 2019
Groundhog Day 2020 
Groundhog Day 2021 

Tuesday, February 1, 2022

"Tiger Mandala" (Year of the Tiger 2022)

 

My Year of the Tiger print for a card exchange with Baren Forum. This is a hand-colored linocut printed on white Stonehenge. 

I've done a few hand-colored mandalas in the same style as this before. It's simply the same image rotated and repeated 4 times. The difference with this one is that this whole image is a single carved block. 

Originally I was going to do something simpler. I wanted to do a tiger chasing it's own tail. But the more I fiddled around with ideas, the more I just wanted to make another elaborate mandala. It's much more time consuming, especially when I color them, but so worth the final product. 

This is my 5th year participating in  New Year's Exchanges with the Baren Forum for Woodblock Printmaking. Here are my prints from previous years' trades: 

Year of the Ox, 2021 
Year of the Rat, 2020

Year of the Pig, 2019 
Year of the Dog. 2018