24" x 30"
Oil-based ink on Stonehenge paper
Artist's Proof
As with my last collograph, this is dedicated to Kenneth Grahame. The text is taken from his beloved children's book The Wind in the Willows:
On either side of them, as they glided onwards, the rich meadow-grass seemed that morning of a freshness and a greenness unsurpassable. Never had they noticed the roses so vivid, the willow-herb so riotous, the meadow-sweet so odorous and pervading. Then the murmur of the approaching weir began to hold the air, and they felt a consciousness that they were nearing the end, whatever it might be, that surely awaited their expedition.
My aunt looked at this print and immediately the words reminded her of refrigerator magnets. I like that association very much. With these ammonite collographs I am grasping at scraps of materials common to my everyday experience - cardboard, bubble wrap, string - and then constructing an image of ancient creatures never seen alive by human eyes, incomplete and unearthed. With those magnets, we can never find all the words to say what we originally intended. We end up with fragmented statements, that in their incomplete state are more mysterious and poetic, and they seem to be ever more meaningful because we are forced to fill in the empty spaces.
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